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Camille Pissarro
The House of the Deaf Woman and the Belfry at Eragny
mk192
1886
65.1x81cm
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Camille Pissarro
View through a Window,Eragny
mk192
1888
65x81cm
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Camille Pissarro
The Boldieu Bridge,Rouen
mk192
1896
73.7x91.4cm
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Camille Pissarro
The Roofs of Old Rouen,Gray Weather
mk192
1896
72.3x91.4cm
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Camille Pissarro
Rue de L-Epicerie,Rouen
mk192
1898
81.3x65.1cm
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Camille Pissarro
Paris-s opera house street
mk213
Oil on canvas
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Camille Pissarro
The Career at the Hermitage,Pontoise
mk221
1873
Oil on canvas
55.7x46cm
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Camille Pissarro
The Tedder
mk221
1884
Oil on canvas
73.5x60cm
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Camille Pissarro
View of Bazincourt
mk221
1884
OIl on canvas
54.3x64.8cm
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Camille Pissarro
Berger and Sheep
mk221
1890
Gouache and pencil on silk
27x55.2cm
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Camille Pissarro
Herd of Sheep at Sunset
mk221
1889
20x62cm
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Camille Pissarro
Rouen,Effect of Fog
mk221
1898
Oil on canvas
65.4x81.3cm
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Camille Pissarro
LaVarenne-Saint-Hilaire,View from Champigny
mk222
c.1863
Szepmuveszeti Museum
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Camille Pissarro
The Gardener
mk222
1899
92.5x65.4cm
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Camille Pissarro
Bathing girl who sat up haret
mk234
1893
92x74cm
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Camille Pissarro
Flowering frukttradgard Louveciennes
mk234
1872
45x55cm
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Camille Pissarro
A Cowherd at Pontoise
mk235
1874
Oil on canvas
55x92cm
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Camille Pissarro
The Hermitage at Pontoise
mk235
1874
Ol on canvas
61x81cm
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Camille Pissarro
Rye Fields at Pontoise
mk235
1877
Oil on canvas
60x73cm
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Camille Pissarro
Harvest at Monfoucault
mk235
1876
Oil on canvas
65x92.5cm
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| Camille Pissarro
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Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903
.Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;
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